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Joel goes back to Frisco
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I don’t usually care all that much for pre-Civil War San Francisco stories. They tend to be hardly Westerns at all, more period costume dramas. Joel McCrea had actually started in one, third
billed in Barbary Coast in 1935. It was quite enjoyable but was really more of a Victorian gangster tale than a proper oater, with fog on the waterfront kind of thing. But Joel returned to Frisco (as they called it then) in 1952, when he was a very established Western lead actor, in a picture that was much closer to the Western tradition, The San Francisco Story.
billed in Barbary Coast in 1935. It was quite enjoyable but was really more of a Victorian gangster tale than a proper oater, with fog on the waterfront kind of thing. But Joel returned to Frisco (as they called it then) in 1952, when he was a very established Western lead actor, in a picture that was much closer to the Western tradition, The San Francisco Story.

and fog and such, so it’s a real San Francisco story in that way, but
most of the plot could have been set anywhere in the West and the action is reminiscent of many a proper Western.
Rick Nelson (Joel), no relation to the pop singer/Rio Bravo star, rides into town with his sidekick Shorty (Richard Erdman, rather good) and meets up with his old partner Capt. Jim Martin (Onslow Stevens) who is the local newspaper editor but seems to spend more of his time hanging folks as head of the Committee of Vigilance – which has a headquarters, signboard and everything. Rick used to be a vigilante but the last five years he’s been mining gold instead. Rick soon discovers that the town is run by crooked boss Andrew Cain (a part tailor-made for Victor Jory but sadly it’s Sidney Blackmer, often Theodore Roosevelt in movies) and Cain has a fancy woman, Adelaide, known as Addy (Yvonne De Carlo).
See what I mean? So far, so ordinary a Western. But it’s well written (by good old DD Beauchamp from a Richard Summers novel) and contains some witty lines. The main characters are knowing, rather cynical, clever and unscrupulous, and the dialogue reflects that, although it’s a Joel McCrea Western so his character is quite scrupulous, deep down. I liked Joel’s remark that it was so quiet you could hear a body drop.
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Joel and Yvonne in a studio publicity still
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John Doucette has a bit part as the unfortunate ‘criminal’ hanged by the vigilantes from a beam protruding from their building. The hanging is well done in a gruesome off-stage way: we see Joel’s foot on the beam and it slips off when the beam suddenly moves.

Joel rides really well (he always did) and best of all, shady lady Abby has a derringer which she pulls on her man Cain (she’s by now fallen for Rick instead). It’s rather a modern derringer: you’d expect
it to be like the one John Wilkes Booth used, it being 1856 and all, but it’s one of those shiny modern ones that I like so much, almost invariably used by shady ladies, gamblers and crooked saloon-owners. Although John Wayne and even Randolph Scott(gasp!) used them occasionally, so they weren’t exclusively for villains. Anyway, it’s a highlight of the movie.
it to be like the one John Wilkes Booth used, it being 1856 and all, but it’s one of those shiny modern ones that I like so much, almost invariably used by shady ladies, gamblers and crooked saloon-owners. Although John Wayne and even Randolph Scott(gasp!) used them occasionally, so they weren’t exclusively for villains. Anyway, it’s a highlight of the movie.
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Yvonne pulls a derringer on the bad guy
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I’m not a great Yvonne fan but she’s OK, I guess. At least she doesn’t sing. Joel is great, of course, as he always was.
There’s a hero/villain duel in the last reel, shotguns at dawn on the beach, so that’s a bit unusual.
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On the rather plush set
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The SF Story was one of only two films that Fidelity-Vogue Pictures made, released through Warner Brothers. It was no big-budget affair, more of a black & white minor Western really, but it’s well handled and quite a lot of fun. Definitely watchable. Parrish and McCrea elevated it. (And the derringer).
3 Responses
Hi Jeff-I love McCrea but feel that SAN FRANCISCO STORY is the least
of his Westerns.
On the plus side McCrea and Erdman DO make a pretty decent team.
Parrish later used Erdman in SADDLE THE WIND where Erdman is insufferable
and OTT.
I've never forgiven Parrish for the truly abysmal A TOWN CALLED HELL.
Really,anyone who drinks at a bar run by Bates (with pipe & eye patch)
and where Tor Johnson is a barman deserves to be shanghaied!
All in all a trifle but not without some quirky touches.
I agree that it is certainly not his best Western but I do think it's quite fun and he did make worse ones, especially at the end of his career. I like Saddle the Wind and will be doing a review soon. I agree about Sadie's bar – dangerous even to darken its doors!
Jeff
Love Joel McCrea. He could be in any movie and I would love him .