Well, exactly the same story animates a later black & white Western of, ahem, modest budget, Ambush at Cimarron Pass. It could almost be a remake.
Westerns liked ‘ambush’ titles. There was Ambush, a rather good Robert Taylor oater of 1950, and there was an Ambush at Tomahawk Gap and an Ambush at Dark Canyon and a Colorado Ambush and an Apache Ambush, to name but a few.
It was a Regal Films production, released by Fox. It was in widescreen Regalscope, no less – and actually the print is very good. The visual quality is only spoiled by the actors constantly flitting between location shooting and unconvincing and very different studio sets.
In widescreen Regalscope, my dears
It was produced by Herbert E Mendelson. Herb Mendelson had been second unit director on a number of Roy Rogers, Allan Lane and Monte Hale oaters in the 1930s and 40s, as well as on Lippert’s Rimfire. In the early 50s he worked on Rose of Cimarron and San Antone, and in ’54 reached the dizzy heights of assistant director on Johnny Guitar. Then he moved into producing, and in 1956 he made a Western with Scott Brady, Mohawk. After that there was a lot of TV work, especially Sky King, but he went on with big-screen lower-budget Westerns in the late 50s (there was evidently still some kind of market for them) and Ambush at Cimarron Pass in ’58 used Brady again.
I like Scott Brady in Westerns. He was one of the rowdy Tierney brothers and though he was not quite the wild fellow that his brother Lawrence was, he didn’t do badly, facing a narcotics charge (later dropped) and he was accused of being involved in illegal bookmaking activities. But he was big and burly and rather handsome, and he suited oaters. He started in The Gal who Took the West in 1949, he was Bloody Bill Anderson in Kansas Raiders in ’50, and he went on to be quite a regular in the genre through the 50s. He did kid roles: He was the Dancin’ Kid in Johnny Guitar and Billy the Kid in The Law vs. Billy the Kid. The Vanishing American, The Maverick Queen, The Restless Breed, there were quite a few, and he made appearances in Western TV shows too, notably Shotgun Slade. In Ambush at Cimarron Pass he’s the lead, a tough Army sergeant tasked with getting those Henrys to the fort.
His co-star was Margia Dean. She plays Teresa Santos, the daughter of a ranchero whose home has been burned and family slaughtered by the Apaches, and she joins up with the soldiers. Actually, Ms Dean was of Greek parentage but you know Hollywood: ethnic is ethnic, she’ll do for a Mexican. Dean was a former Miss California and Miss America who debuted on the big screen for Republic but freelanced for all the other studios. She was consigned to movies of less than spectacular budget for most of her career and she did quite a few Westerns. She co-starred with Rex Reason in Badlands of Montana and appeared in Last of the Desperados, among other oaters. She turned to producing movies later on (unusual in those days for a woman) and became the vice-president of a major real estate firm, a Beverly Hills restaurateur and a Brentwood dress shop owner.
Clint Eastwood was in it. He received the princely sum of $750. This was pre-Rawhide but he looks exactly like Rowdy Yates. It was only his third feature Western (after his young lieutenant in The First Traveling Saleslady and an uncredited bit-part as a ranch hand in Star in the Dust) but Fox re-released Cimarron Pass on the back of Rawhide success, with Eastwood’s name higher up the cast list. He plays an angry and hostile young ex-Confederate soldier who has no time for the ‘bluebelly’ Sergeant Blake (Brady). It’s 1867. The ex-Rebs and the Army patrol are obliged to join forces in the face of the Apache threat to them all, but Williams (Eastwood) doesn’t care for that idea at all. Actually, Clint was still honing his acting skills at this time (code for he was pretty wooden).
The captain of these ex-Rebs is Sam Prescott (in the middle in the picture above), played by Frank Gerstle, a character actor who appeared in endless Western TV shows between 1954 and ’69 and the occasional big-screen oater too, with small parts. Capt. Prescott seems a decent kind of fellow who is ready to join up with the Union sergeant, and they earn each other’s respect as they go.
He has four men with him, Keith Williams (Eastwood), Johnny Willows (Ray Boyle, born 1925 but still with us, in Westerns since Ride Clear of Diablo in 1954 but who did mostly TV work), Cobb (Desmond Slattery, in his only Western – in fact his only ever film) and a very dubious judge, Stanfield, played by good old Irving Bacon. Bacon was an ex-Keystone who usually played minor parts like bar tender or townsman, so judge was a step up. He was a regular on Western TV shows for years and years but he had started with small roles in big-screen Westerns right back in the 1930s (he was a barfly in Fighting Caravans). I remember him as the comic-relief sergeant in Fort Ti. His Judge Stanfield is a nasty type, a coward who incites other men to do his dirty work for him.
Brady also has four soldiers with him, a corporal, Schwitzer (Ken Mayer, who would get promotion and be a sergeant in Little Big Man) and three troopers (John Damler, Keith Richards (no, not that one), who had been Jesse James in Republic’s 1949 serial The James Brothers of Missouri, and John Frederick). And he also has a civilian scout, Henry (William Vaughn). But in addition, there is in his party a prisoner, the evil gun-runner Corbin (Baynes Barron), the one who was going to sell those Henrys to the Apaches, the swine. You can tell he’s a criminal because he is unshaven. And because we have seen the odd Western or two, we know that he will perish en route, probably at the hands of the very Indians he was trying to sell those guns to. Poetic justice you see. Plus, why should he survive when some of the goodies don’t? The cavalry detail has the Henrys, bound up in bundles, and they are determined to get them to (fictional) Fort Waverly at all costs.
So there you are, five Rebs, five men in blue, the scout, the prisoner and the girl. Thirteen in all. The Apaches drive their horses off and so the whites are obliged to try for the fort on foot, six days’ grueling march, carrying those Henrys. We know of course (as I said, we have seen a Western before) that they will be picked off one by one as they progress. Cobb is the first to go – he was minding the horses. Then the scout disappears (they only find his hat). And so it goes on. This is not the first time this plot device has been employed, e-pards, is it?
Teresa is at first a traumatized figure but immediately, and very unconvincingly, she starts flirting with the men, in gray or blue. This will stir things up. She shows her low-cut blouse provocatively to Clint. But she soon attaches herself to Sgt Brady.
The sergeant gets into a fist-fight with Clint (no contest, Brady was far burlier and probably an expert brawler) and later Clint, urged on by the slimy judge, is just about to shoot the sergeant in the back (with his 1873 model Colt – it must have been an advance prototype) when the Apaches attack.
Under cover of the gunfire, Judge Stanfield does a deal with prisoner Corbin, liberating him so that they may escape together, but of course once free, the lowdown gun-runner stabs the judge in the back and makes off alone. He is duly shot down by the Apaches. Well, neither judge nor gun runner was a great loss.
They get to within a day’s march of the fort, much depleted in number, and rather anti-climactically decide they can’t carry the rifles any further, and they can’t let them fall into the hands of the Indians either, so they burn them. Clint calls the sergeant Matt and has learned respect for a real man, whatever the color of his uniform. The sergeant and Teresa entwine. The End.
Oh well, it’s not too bad, though Clint reportedly described it as “probably the lousiest western ever made.” A bit harsh. It was made in eight days on a shoestring budget. The director was Jodie Copelan, not a name I knew. It turns out that this was his only Western in the chair.
Jeff, good write-up of a pretty good Western. I like the Regal Films Productions of the 1950's. I'm glad they continued to make Westerns in black and white Regalscope.
Margia Dean is still with us and of course Clint Eastwood is. THE MULE(2018) produced/directed/starring Clint will be in movie theaters December 14, 2018. Margia thought Clint was nice, but she didn't like working with Scott Brady. In an interview, she said Brady was crude and vulgar. Although, she thought his brother Lawrence Tierney was nice(she was one of the very few to say that).
I don't think Brady had a reputation as a perfect gentleman…
It's a pity Lawrence didn't do more Westerns. He only did four (though he was Jesse James twice).
Always good to see a review of a RegalScope Western,especially one that's available
on disc,in the correct ratio. I've seen several of them,at the time in cinemas,
including "Ambush…" There's a few I'd love to catch especially THE LONE TEXAN.
Actually Herb Mendelson was more of an assistant director/production manager-his other film as producer was BADLANDS OF MONTANA a rare stint as director for writer
Dan Ullman. MOHAWK was actually produced by industry veteran Edward L Alperson who
at the time had his own production imprint: ROSE OF CIMARRON,DAKOTA LIL,BELLE
STARR'S DAUGHTER and the "other" less known Boetticher Bullfighting picture
THE MAGNIFICENT MATADOR with Anthony Quinn and Jeff's favourite leading lady
Maureen O Hara. Alperson is perhaps best known for the "cult" Sci Fi INVADERS
FROM MARS. I too like Brady in Westerns-THE LAW VS BILLY THE KID is one of the
very best Sam Katzmn/William Castle Westerns and STORM RIDER is an above average
RegalScope entry.Allan Dwan's THE RESTLESS BREED is another Alperson production.
Here in the UK, we have just started to be treated on TV to Scott Brady's starring TV western, "SHOTGUN SLADE". This was a real surprise to have these turn up. The series was produced by Nat Holt and created by Frank Gruber. It was no "TALES OF WELLS FARGO" but not bad and Brady was good in westerns, as commented earlier by others.
What channel is that on, Jerry? Though I live in France I get British TV by satellite (good source of Westerns). I haven't seen Shotgun Slade in the listings, though. Maybe it's on a channel I don't get.
Shotgun Slade, an OK TV western, helped by Scott Brady in the lead. Unfortunately it has annoying jazz guitar soundtrack music, that doesn’t work for a western.
There is a Dell comic with a great Scott Brady cover. I expect Jerry has a copy.
I did have a copy, Mike, back in the day and it was a great cover. BUT, Mum's bonfire……
Oh dear Jerry, the number of friends I’ve known over the years who have said something like that.
Jeff, you need to see and review Walt Disney's Tonka, which Phillip Carey stars as Captain Myles Keough who dies with General Custer. Its about Keogh's horse Commanche. Great western. Carey also plays Custer in The Great Sioux Massacre in 1965.
The word 'Disney' doesn't inspire me with confidence but I'll look out for that one.
I haven’t seen Tonka since first viewing in late 50s maybe. It’s not easy to find on DVD, the official USA Disney DVD comes and goes at different prices, usually high price collectors Dvds only. It can be found on eBay from the “pirates” at lower prices, though quality could be a problem there.
Jeff, it's on an Irish channel called Keep It Country, mostly country music but it has suddenly introduced "SS" as well as "MAN WITH A CAMERA", "DECOY" and even Rex Allen as "FRONTIER DOCTOR", made by Republic.
Be great if you are able to pick it up.
Right, I'll have a look. Thanks for the tip!