The blog of a Western fan, for other Western fans

“Each man has a song and this is my song.” (Leonard Cohen)

Crazy Horse

  A great American     Crazy Horse, Tȟašúŋke Witkó in Standard Lakota Orthography, was one of the most legendary of American Indians. His very

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Johnny Ringo

.  The fastest gun in the West . . Then from dawn till setting sun He practiced with that deadly gun And hour on hour

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King of Texas (TNT, 2002)

  Villains by necessity   You wouldn’t necessarily expect Hallmark and TNT to produce King Lear for TV. But in 2002 they did just that,

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Frontier (Netflix, 2016)

  War to the knife   Only a Western inasmuch as eighteenth-century sword-and-musket dramas are ever Westerns, this Netflix series does at least give us

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Belle Starr (Fox, 1941)

  A poor person’s Gone with the Wind   I am still pursuing my sacred mission to see and comment on every Randolph Scott Western,

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New Mexico (UA, 1951)

  Not bad   Westerns liked states (or territories) for titles. There are oaters named California, Arizona, Nevada, Texas, and so on. And in fact

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Trooper Hook (UA, 1957)

. Sergeant McCrea . . A major revelation coming up, so brace yourself. All my life I have disliked Barbara Stanwyck in Westerns. She was

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Fort Vengeance (AA, 1953)

  The evil Sitting Bull . . While 1953 was giving us mighty examples of our great genre, the likes of Paramount’s Shane, Warner Bros’

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Drango (UA, 1957)

. Django? Rango? No, Drango. . . Reader John Knight, commenting on my review of The Vanquished, recommended Drango, a late 50s Jeff Chandler Western which

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Jack Slade (AA, 1953)

  He’s a bad man   While big color A-Westerns were coming out in 1953, the likes of Paramount’s Shane, MGM’s The Naked Spur and Warner

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Chino (IRC, 1976)

. John Sturges? I don’t think so. . . Chino was a bad sub-spaghetti-western of the early 70s made by Dino De Laurentis, an associate

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