The blog of a Western fan, for other Western fans

“Each man has a song and this is my song.” (Leonard Cohen)

The Unforgiven (UA, 1960)

. . Intense frontier drama . . The Unforgiven (not of course to be confused with Clint Eastwood’s 1990s Unforgiven) is very, very good. It

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Joe Pepper by Elmer Kelton

. . Joe Pepper (Forge, New York, 1975), originally published under Elmer Kelton’s pseudonym of Lee McElroy . . To be brutally frank with you

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Mohawk (Fox, 1956)

. . Amusing . . I personally don’t much care for tricorn-and-sword dramas, nor do I think they are proper Westerns, but Mohawk, a lively

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Hondo by Louis L’Amour

. . The frontier story-teller . . Louis L’Amour (1908 – 1988) is an enormously popular writer all over the world, with over 100 novels

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Desperado (Columbia, 1995)

. . Cartoon . . This more-Hollywood sequel to El Mariachi screened at Cannes in 1995 and has cultish pretensions. It’s a cartoon, really, a

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Desperado (NBC, 1987)

. . Robert Vaughn, Pernell Roberts and Gladys Knight? . . The Eagles song Desperado first appeared on the album of the same name in

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Viva Zapata! (Fox, 1952)

. . Very good . . Much of the American interest in the Mexican revolution and therefore by extension (regrettably or not) world interest, has

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Viva Villa! (MGM, 1934)

. . A classic Villa . . Until the recent HBO film And Starring Pancho Villa as Himself, the 1930s Viva Villa! was the best movie

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