The blog of a Western fan, for other Western fans

“Each man has a song and this is my song.” (Leonard Cohen)

Wyatt Earp (WB, 1994)

. Slow, and not very compelling   Wyatt Earp, released six months after the rival movie Tombstone, was an even bigger picture. At 3 hours

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Tombstone (Cinergi, 1993)

. The best Wyatt Earp telling yet   After all the years of Wyatt Earp movies that bore remarkably little resemblance to the historical truth,

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Sunset (Tristar, 1988)

. The Sunset of Wyatt Earp   In this tale of Wyatt’s later years, before riding off into the sunset (well, actually, he rides off

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Doc (UA, 1971)

. The anti-Wyatt   By the start of the 1970s the full force of revisionism had fallen upon the Western movie. Former goodies were recast

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Hour of the Gun (UA, 1967)

. Wyatt redux   We have already reviewed the Wyatt Earp picture John Sturges directed in 1957, the hugely successful Gunfight at the OK Corral.

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The Kansan (UA, 1943)

. Another clean-up-the-town Earpish marshal   JAW reader JG Entract left a comment on our recent post on the 40s Wyatt Earp picture Tombstone, The

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Wichita (AA, 1955)

. Wyatt cleans up the town – but not Tombstone   As we have seen in recent posts, by the mid-1950s the Wyatt Earp of

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Apaches

  Of all the American Indian peoples who featured in Western films, often referred to as cowboy-and-Indian movies, the Apache were the favorites. OK, yes,

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Richard Jaeckel

  Fine Western actor   Richard Jaeckel (1926 – 1997), shortish, stocky, great bad guy, was a stalwart character actor of Western movies, from 1950

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The Beguiled (Universal, 1971)

  Western meets Southern Gothic   Inhabiting that shadowy territory between the genres of 70s Western and gothic horror, The Beguiled, which Clint Eastwood’s Malpaso

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Dallas Stoudenmire

  Down in the west Texas town of El Paso   Since we are on the subject of gunmen-peace officers, here’s another one. He’ll be

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John Larn

  Another Texas gunman   We were talking recently about old West lawmen (click the link for that) who operated on both sides of the

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Clay Allison

  The Wolf of the Washita   Clay Allison was one of the most violent gunmen of the old West. There may have been a

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CS Fly

  Say cheese   There were some wonderful photographers of the old West, dating right back to the birth of the art, or science as

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Lesley Selander

  A real pro   We have been looking at the Westerns of such classy directors as Delmer Daves and Anthony Mann, and other luminaries

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Warlock

  Novel by Oakley Hall and Fox movie, 1959   Warlock was a Pulitzer-shortlisted novel published in 1958 which later the same year was made

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Lawmen

  The tin star   Further to the subject of law ‘n’ order in the West, we have already established that the law in the

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Hanging

  It’s a hangin’ matter   Since we are on the subject of the law in Westerns, both juridical and, ahem, extra-legal, I thought we

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Judge and jury

  The law west of the Pecos   It’s a generalization, but the law in Westerns tends to be a peace officer: town marshal, county

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Cimarron (MGM, 1960)

  Apart from some early scenes, a bore   In Anthony Mann, her survey of that director’s films, Jeanine Basinger does not include Cimarron among

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The Tin Star (Paramount, 1957)

  The apprentice   Director Anthony Mann said, “It’s quite a simple story, a lesson in apprenticeship.” And that’s about right, as experienced gunman tutors

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Cowboy (Columbia, 1958)

  Lemmon becomes Ford   Most so-called cowboy movies aren’t that. But occasionally you do get one which actually deals with cattle drovers, and Delmer

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The Last Wagon (Fox, 1956)

  In many ways a ‘typical’ Daves Western   Delmer Daves directed seven Westerns between 1954 and ’59, only the war drama Kings Go Forth

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Broken Arrow (Fox, 1950)

  An influential Western   We’ve been talking about the Western career of Delmer Daves (click the link for that). Well, with his first Western

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